Picasso is well known for his 'blue period', and much ink (real and electronic) has been spilled in discussing the works produced during that time. Likewise, I think that many photographers experience a 'wall period' as a way of working through their thoughts on photographic composition. Many critics are dismissive of this kind of work in general, believing it is too easy to do, as everyone has access to these public spaces. The basic ideas are already out there and have been adequately covered by those who came before us. I take their point, but I've recently been looking at the work of Keld Helmer-Petersen (Photographs 1941-2013, Strandberg Press) which has caused me to reevaluate my position. Much of Petersen's output comprises this type of highly graphic and abstract urban exploration photography. To see a lifetime's work presented in a single volume really establishes Petersen's mastery of composition in a pretty undeniable way. Being first is not the only important factor. The individual artistic vision revealed by the sum total of the work also matters. In the case of Picasso, the artist moved on to other 'periods' soon enough. Petersen shows the value of focus over a long period of time.
The image above was captured on a Canon Powershot G9 CCD imager back in 2008.
